Monday, April 30, 2007
The River is Brown, The Drinks Yellow
Saturday, April 28, 2007
The Refugees
LONGXI, China - The 16-hour journey wore on the faces of the 150 or so passengers left in Car 16 of the T75 express to Lanzhou.
When the train left Beijing West Station two-thirds of a day earlier, the bright blue car was full of activity, groups furiously peeling and eating sunflower seeds, exchange stories about relatives back home, and generally revelling in the upcoming nine-day vacation. Most of the people in the car are headed home to visit relatives, temporarily leaving their 12 hour a day, marginally paying positions for a little relaxation.
Sitting to my right, occupying seat number 51 was one of those people. Xian Yuan is 26 years-old with a live in girlfriend he met at Xi'an Jiaotong University. He works for an American cell phone company, writing code for the software inside the phone. The work's not bad, but his Chinese bosses constantly set projects that keep him there late in the night.
Xian Yuan likes to move around. He's worked for a year in Shanghai, Shenzhen, Chengdu and now Beijing for the same company. "When you're young, it's the time to visit different places," he told me. He wants eventually to head to India or especially Japan next. He asked me several detailed questions about the process -- whether Americans need visas, and how much a beer cost on the streets of Tokyo. I answered the best I could, mostly through second hand information I have gleamed from friends there now. We talked for several hours, probably the longest single conversation I've ever had in Mandarin, and it became clear that we were kindred spirits, bouncing around from place to place in the years just after college.
Meeting people like Xian Yuan is why I love to travel by rail. As I've documented on this blog, I've already spent over a week on the rails so far this year, and it's perfectly possible that I'll double that time before the year is over. I just don't know if I'll be doing any more travel in particular class.
Most Chinese trains have three classes -- soft sleeper, hard sleeper and hard seat. Sleeper cars have beds -- six per cabin in hard, four per cabin in soft. All of my previous overnight trips in Chinese trains have been in hard sleeper. It's a busy place, with people chatting from early in the morning to late at night, bouncing from cabin to cabin to visit friends. Nothing in hard sleeper, though, prepared me for a night in a hard seat. A hard seat cabin in arranged in alternating rows of five seats that face each other -- two on one side of the aisle, three on the other. There are more dividers between the seats, it's more like a slightly padded bench.
All of this might be O.K., but there is actually a fourth class on these trains: standing tickets. These dirt cheap seats get a person into a hard sleeper car, and that's it. If there's open seats, they can take them, but otherwise they are stuffed in between aisles, next to the bathroom, even under the seats, literally anywhere a human might fit. With the holidays approaching, more than a 100 extra people crowded Car 15, meaning about 200 people were crammed in a space the size of four or five minivans.
It was incredibly crowded. I shared my three person bench with Xian Yuan and two other people. Getting to the bathroom at the end of the car took 10 minutes. Reaching the restaurant car -- only possible by crossing four soft sleeper cars -- was next to impossible. I managed to reach it, only to find the kitchen closed and masses of people passed out in and around each table.
The train resembled a moving refugee camp, a horde of humanity crammed into an impossibly small space. As the night turned into early morning, the glazed over eyes and sagging faces of my fellow passengers made it appear that the final destination of this train was the gulag, not a vacation.
At 7 a.m., I bid goodbye to Xian Yuan. We exchanged contact information and made a promise to hit up a bar sometime when his boss let him out before midnight. Stops at Zhengzhou, Xi'an, and Tianshui slowly cleared out the packed cars. By Longxi, I had the entire bench to myself. Getting a few minutes of sleep is now a distinct possibility. And sometime in the not too distant future, I too will be able to get off this train.
Going Downmarket
LANZHOU, China - Exiting the Lanzhou Express after spending 20 hours
in a seat with a good chunk of Beijing's migrant workers, I wanted my
first night of vacation to spent in an actual bed, with two pillows
and a turn down service if possible.
I hadn't walked into the pouring rain and cold north winds of the city
before I felt a spasm of cheapness. I ducked into a small subterranean
market, haggled an umbrella from 35 RMB down to 10, and headed toward
a line of cheap guesthouses opposite the station.
In America, there's motels and hotels. In China it's a little more
complicated, as binguans, luguans and fandians compete to put up the
tourist. I've stayed in many hotels around China, and generally leave
disappointed. With the exception of a couple five-star hotels in
Yunnan Province (thanks Tufts), my nights at Chinese hotels usually
mean smoke-filled rooms, grotty showers and endless night time calls
from prostitutes.
Armed with some Chinese, I'd decided to try and get into a zhoudaisuo,
a cheap guesthouse that are generally off limits to foreigners.
The first place I tried kept its receptionists behind thick glass,
just like at foreign remittance booths. The workers frantically waved
their hands before I could even get in the building. I guess that
place didn't take foreigners.
Just down the street a man stood in front of a street-side guesthouse
sign. He offered to show me a room. We disappeared into a dark and
quite low staircase. The man kept climbing and climbing, eventually
reaching the building's seventh and top floor. My sleepless and hungry
body couldn't consider staying at this place, no matter what the
price.
Then I found the place. The lobby was on the third floor, a small but
cheery place with a card table, a bouquet of fake flowers and a map of
Gansu province on the wall. The rack rates said a special room cost 78
RMB, but they offered it to me for 55. I asked for 50, and they
accepted.
"Thanks for staying here," the receptionist said as opened my room,
and I think he meant it.
I crashed on my full size bed, woke up two hours later and took a hot
shower, and wondered if I'd ever bother with a Chinese hotel again.
Thursday, April 26, 2007
False Beginnings
BEIJING - The last few days I've rushing between preparing for
midterms, last minute gatherings and other things that always seem to
pop up just before a vacation. One of them is a looming writing
project, which I've been putting off for some time. The assignment is
to talk about my study plan in China. I wound up going with a
straight-forward approach, but not before going through several drafts
where I found myself writing in the language of this blog. Here's one
opening paragraph that I decided not to use:
"As I prepared to sit down, the old woman smiled at me. I showed her
my train ticket, just to make sure I was in the correct row. She
nodded, and I took my place in the carriage bound for Guangzhou. I had
many questions for my cabin mate: Did she have any children? Where did
she buy her crisp blue shirt? Who was her best friend? On this, my
first trip to China, I wanted to know everything about the country I
had studied for so long back home. But I had no Chinese to ask this
woman my questions, no way to know the thoughts, feelings and hopes of
the people around me. I felt as if I was exploring the country with
only one eye, half-blind to my surroundings. When I returned to
America, I decided to enroll in a Putonghua course."
Line 'em Up
Twenty/Twenty
Tuesday, April 24, 2007
Have it Your Way
The Fish Fiends
Saturday, April 21, 2007
With A Poster, It's Paris
BEIJING -- I asked the tiny noodle stall's lone occupant, a middle-aged woman wearing a blue apron, if I could see a menu.
"It's right there," she replied, and pointed to a series of hand-painted signs hanging on one wall. I squinted, trying to read the slightly messy handwriting before decided on an order of 肉丝炒饭, or sliced-pork fried rice.
I asked the woman if they had any cold drinks, and when she replied that no, they didn't, I went door and bought a cold ice red tea.
"Cold drinks are much better than warm drinks," I said as an explanation, and the woman smiled.
The restaurant wasn't the smallest I've seen in China. There were six tables, each with three or four stools, a small container of crushed red pepper and a napkin basket. On the walls of the restaurant were three massive posters, each one several feet wide and in a plastic frame. The one under my table showed the Eiffel Tower with few Parisian fountains in the foreground. I asked the woman why she'd put up the picture.
"Because it's a nice picture, very lively," she said.
My food arrived -- a huge mound of rice covered in soy sauce, with a fair amount of sweet pork mixed inside. As I chomped away, a man with brown pants and a funny mustache entered the restaurant. He carried a plate, which he stuck in a microwave sitting the table closest to the restaurant's rear, and then came over to talk with me.
"Why aren't you drinking beer?" he said.
"Because it's too early for beer. Tonight I'll have some beer."
He picked up my book that I'd placed on the table.
"What's this?" he said.
I'm reading Dr. Zhivago, Boris Pasternak's Nobel Prize winning tale of love and tragedy during the years leading up to and during the Russian Revolution. I tried to explain the plot of the book in my limited Chinese.
"The story takes place 100 years ago. There's a Russian doctor. He falls in love with a very beautiful young woman. Then there's a--"
I had to pause here and go for my yellow dictionary and look up the word for war. When I read the dictionary's first entry zhanzheng, the man didn't understand. I tried again, but with no luck. It's probably best that I didn't have to continue my book summary, as I would have to look "revolution," "exile," "Communism" and "Siberia," before long.
The man then took my dictionary and started flipping through the pages. He giggled at a few entries, but I when I asked to see what he was laughing at, he showed me the word "swat." I don't think that's terribly funny.
The microwave timer went off and the man fetched his plate and walked out the door, leaving me to finish my rice.
This is nothing special -- a cheap meal, a couple of new conversation companions, and a pretty good time. It seems I can't duck into a back alley with meeting someone interesting; a person who throws up a picture of the Eiffel Tower to make sure quiet cafe seem busier, a man who thinks I should drink in the middle of the afternoon.
"Your food is very good," I told the restaurant owner before leaving. "I'll be back to look at your wall again soon."
Friday, April 20, 2007
Beibei
Beibei's not talking yet, but she displayed her disinterest in other ways. Her caretaker, a young woman with a broad smile, tried to make her wave at me, propping up her tiny let arm. She refused to go along.
Thursday, April 19, 2007
His Wings Still Flap
Wednesday, April 18, 2007
Who Says College Graduates Aren't Employable?
Monday, April 16, 2007
Straight Outta Ulaanbaatar
DARKHAN, Mongolia – After the old Russian woman in the top bunk went to sleep, Sumar brought out his laptop videos.
As our train slowly passed through the pitch-black Mongolian grasslands, Sumar eagerly showed me what he'd downloaded at university in the Siberian city of Irkutsk. First he went through his collection of basketball clips, where members of various NBA teams made incredible shots during the last seconds of important games. Then came a video shot at art exhibition of a Scandinavian man creating shadow puppets using sand in time to a pre-recorded soundtrack. After that, Sumar clicked on the folder called "Music."
He opened the first file. The name was Cyrillic but I recognized the video from the first few frames. It was Nelly's "Hot in Herre," the most popular rap song of 2002.
"I love Nelly," Sumar said. "He's my favorite." We then watched most of the Nelly catalogue, including "My Place," "Country Grammar," "Flap Your Wings," and that song about chilling with my boo. Sumar then asked if I wanted to hear some Mongolian music, to which I quickly replied, "Yes!"
He queued the video on the computer, waiting for Windows Media Player to load. At this point I had only been in Mongolia a few hours, and had just heard the language for the first time as I snuck across the Russian border in a van full of traders, with hidden human cargo in the back seat. The beat started rumbling, a mix of deep bass rumbles and quick drum hits. A Mongolian flashed across the screen, dressed in urban clothing on top of a building at night. He started to rap in a guttural burst, delievering his lines in a way that seemed half rap-half chant. Accompanying the music were gritty shots of Mongolian urban life: monks fighting, police brutality, strippers, poverty and crumbling Soviet buildings. This was the music of Zaya, a song called "Tears of Ulaanbaatar," his first solo recording away from Mongolia's biggest rap group Tatar.
The beats, the songs, the setting: I loved it all. Perhaps this is the way people felt when they heard Led Zeppelin or the Beatles for the first time, falling completely in love with something so unexpected. I knew that I needed to get this record, immediately. Sumar only had the video, but suggested that I try to buy the record in the capital. He wrote down the name of a couple record stores in Ulaanbaatar and included a couple of Mongolian swear words to boot: Alna shuu! Muu nohoin gölög min! If I remember correctly, this translates to something along the lines of "Fuck you! I fucked your mother last night!"
The next morning I set out to find the Zaya album. At the State Department Store they didn't know anything about it. Hi-Fi Records said it wouldn't be out for another two months. The Hip-Hop Clothing Store no longer sold music. This being Mongolia, the options pretty much ended here.
With no music, I collected stories about the rapper. People in Ulaanbaatar told me about concerts they attended for Zaya's old group Tatar. They talked about the group incited a riot and the police started beating the crowd. A Peace Corps worker in Beijing told me that he'd seen the video six months earlier, but hadn't heard anything about a release. A Mongolian on my floor here in Tsinghua – who, the first time he met me, said, "What up Motherfucker!" – definitely wanted to buy the album, but definitely didn't have it yet. Another student offered to mail me a copy when she went home on spring break.
Then last night I was bumming around on Youtube, when I put in the name "Zaya" and "Ulaanbaatar." One result appeared, and it was the correct one. So now, thanks to the magic of the Internet and a poster named Munko, I can share the video with you. Enjoy:
Posted by
Shubashu
at
10:52 AM
Labels: friends found travelling, Mongolia, music, Trans-Siberian Rail Way
Sunday, April 15, 2007
Running "A-fowl" of the Law
Not everyone here in Wudaokou makes it home on time. Last Thursday, Wang Didi never made it home at all.
Wang Didi sells chicken wings in front of a couple Western-leaning bars close to campus. Every time I visited his makeshift grill, wings flew off as soon as they cooked. At 3 RMB a pair, I'm sure Wang Didi cleared 300 RMB a night in merchandise. Even after subtracting for the raw chicken and charcoal, that leaves a substantial sum for a migrant working in Beijing.
Wang's outfit technically lay outside the law. He has no permit to sell the wings, and therefore he operates in China's large black market economy. In the eyes of the law, his operation was no different than the people peddling fake North Face jackets and "300" DVDs outside of shopping bags.
Last week the police decided to have a random sweep, the kind they sometimes conduct on illegal activities. They picked up the chicken wing sellers, seized their merchandise and took them away.
Two days later, the wings people were back, but Wang Didi wasn't with them. For some reason, he wound up in jail. The wings salesmen didn't seem to know why, but they did say he would be released this upcoming Wednesday, nearly two weeks after he disappeared.
In a very small way, I now have felt the uneven touch of the law in China. Why did Wang Didi go to prison, and not the salesman on his left or right? It all seems so arbitrary.
Tonight I went back to Wudaokou to buy a snack around one in the morning. The main square was lively, nearly at its Saturday night peak. Old women sold Chinese books out of dusty wheelbarrows. Other people hawked pineapples, there were even a few puppies for sale in cardboard boxes. A couple police officers walked around the area, looking disinterested.
Hopefully in a few days Wang Didi will return here. And if he does, I will be appreciative of just how ephemeral his presence here really is.
Market Conditions
Thursday, April 12, 2007
What a Lush
Listen More, Speak More, Next Test is 不错
Tuesday, April 10, 2007
Kitsch Kills
BEIJING -- One thing industrialization has brought to China is a standardization of tourist crap.The same assemblage of fat Buddha statues, cheap metal coins and chops are for sale at attractions from the Mongolian border to Vietnam.
That predictability meant I wasn't surprised that the tiny alley market off Wangfujing Street hadn't changed in the three years since my last visit. The only noticeable new product was a pair of shiny stones, which somehow boomeranged and whistled when thrown in the air.
I came with a couple friends, capping off a rare day of sightseeing in Central Beijing. I have a certain affinity for Chinese kitsch, but having already purchased a good chunk of this stuff in 2004 I only observed this time. It was the first time for everyone else, and they slowly examined the items on display.
"Are you going to buy a Little Red Book?" I asked one of them, idly making conversation.
"No, I don't think so," he said, with just a hint of disgust.
The conversation quickly moved from there, but I became concerned at my own suggestion. Was it appropriate to encourage people to buy copies of something associated with the Cultural Revolution?
My own copy of the Little Red Book is sitting in my closet in Albany, next to a plastic drum and a crumbled entrance ticket to the Xi'an terracotta warriors. It came from Hong Kong's Temple Street Night Market, a series of clothing stalls, porn booths, fortune tellers and tiny seafood shops that comes together after sunset in the middle of Kowloon. I found my copy at a small antique place, underneath a pile of new English, German and Cantonese translations.
The newer copies use cheap plastic, but the older ones use a higher-quality leather. The book was worn, with many passages inside underlined and Chinese notes in the margin. I talked down the price, pointing out these deficiencies to the shop owner. The book cost about $5.
The big draw is a supposed collection of quotes from Mao Zedong. In reality many of these quotes were heavily edited before appearing in the text, but these edited entries were used as a gospel in a religion that condemned hundreds of thousands of people to death. The words themselves are certainly not responsible -- just as in the Bible, many of the quotes are vague enough to be bent in any particular direction -- but the Book represents an awful era. (What exactly does "every Communist working in the mass movements should be a friend of the masses and not a boss over them, an indefatigable teacher and not a bureaucratic politician," from Chapter 28 mean?)
And I think the book is less a Pop Artifact than some of the other artifacts from this era sold in the country. The propaganda posters represent a separate and important style, and I have fewer problems with their presence in American college dorm rooms than with that book in my closet.
I know enough Chinese history that the words "Cultural Revolution" bring to mind images of suffering, torture and death, but it can be hard to rectify this with the excitement of a Beijing market, where vendors encourage you to take a piece of this era home. I can only hope next time I have the smarts to say, "no thanks."
Sunday, April 08, 2007
Ding-Ding-Ding Goes My Femmy Bell
Saturday, April 07, 2007
The Day the Music Died
BEIJING - At the back of the Dongyue Temple in Beijing's Chaoyong District, there is a lovely courtyard. I wish I could give period dates or accurate descriptions of its features, but alas I never got around to studying imperial architecture in college.
Nevertheless I can say this is the Chinese courtyard as imagined by young Sinologists all over the world, with shiny blue curved roof tiles and large red lanterns hung every meter on the outside of the crimson-colored hallways.
The Dongyue Temple admission ticket includes entry to this courtyard, which is located behind the main Daoist statues and relics of the temple. My ticket - normally 30 RMB, but just 5 RMB with a student card - says this is the "Beijing Folk Museum," and is the only place in Beijing where large folk performances can be held.
Behind the final statue hall, roughly in the middle of the courtyard, is a large, tacky stage that is used for performances. It's brand-new, and designed in the Chinese "shiny red thing" category. All over China these tacky balloons and pixelated background montages are ruining historical sites and downtown shopping malls alike. The Dongyue Temple was no exception.
But despite the intrusion of the tacky, I still had a wonderful experience in the courtyard during my visit last summer. I visited the temple on a hot, sunny afternoon by myself, wanting to kill a couple hours before meeting an American friend in a language program. As I entered the courtyard, I heard music coming from a back corner. Three young musicians were playing Chinese instruments. One was the erhu, the other two I didn't recognize.
I went upstairs and stood next to where they were playing. The music was lovely, the perfect antidote to the broiling hot weather. I sat down and listened for over half an hour, nearly falling asleep to the sounds.
Yesterday I returned to the temple with a couple friends, and went back to that courtyard. There were no sounds, and no musicians in sight. A few workers played cards, uninterested in the few people at the temple. I again climbed the stairs to the second floor, and walked in the room where I heard people playing. There I saw a couple instruments, and three young Chinese, dressed in traditional but ill-fitting costumes.
I asked one with long curly black hair (recent perm?) when the music was going to start.
"Today's there's no music," she said.
I asked her if there was ever music. She said on Chinese New Year sometimes there were performers, other times no. I protested that I had heard music there nine months ago. She seemed confused, and called over a colleague. Yes, he said, there used to be musical performances, but now no longer. The music had died.
Thursday, April 05, 2007
Cold Feet
Wednesday, April 04, 2007
Birds of a Feather, Grill Together
Monday, April 02, 2007
Tree in a Box

BEIJING - This campus operates on a peculiar rhythm. Things happen in ways that seem illogical, but somehow they always seem to get done. At times my life is a constant kabuki performance, with no one around to explain the meaning behind the elaborate rituals.
Take the mystery of the scaffold tree. Three weeks ago, a dozen or so laborers appeared in the courtyard between my dormitory and its immediate neighbor. They wore matching yellow hats and dirty jeans. Probably migrants, these men spent two long days erecting a structure around a tree in the middle of the courtyard. A frame of thick metal poles boxed in the tree, whose thin upper branches looked pithy in comparsion.
After finishing, the workers wrapped large pieces of translucent plastic around the outside of the lattice work and headed home. Whatever they had come to do was now finished.
In my bike rides and walks around campus, I came across a few other trees covered in the same manner. The dressed trees were all middle-aged, neither new saplings planted to stave off erosion nor the thick trunks that date from the Qing Dyansty. They all appeared healthy, although it's hard to tell the health of a plant in winter on the other side of a plastic sheet.
I can't figure out why the university spent money on constructing these tree fences. At first I thought they were created as a precursor to removal, but no trees have fallen. It occured to me that these might be some type of protection against Beijing's spring sand storms. But today the city had its fiercest winds yet, and I saw the group of workers reappear. They weren't at my tree, but one a couple dorms to the north. They wore the same yellow hats and old clothes. This time they came not to build, but dismantle. So far my tree is untouched, but I'm sure they will come for it soon.
When they do, I hope they'll be in a mood to answer a couple questions. Neither the building staff nor my classmates seem to have any idea about these plastic towers. Hopefully with a little conversation I can tap into this campus' strange rhythm.
Sunday, April 01, 2007
A Pleasant State of Affairs
BEIJING - I don't actually live in China.
I live in Wudaokou, a small area on the northwest side of Beijing. Although there are no embassies here, I'm pretty sure that crimes committed here aren't prosecuted in a normal Chinese court. If Wudaokou declared independence and became a Monaco-esque city-state, I wouldn't be surprised. Life here, at least in and around the Tsinghua campus, is different.
As I chugged closer to the Chinese border on the Trans-Siberian Express, I remembered the things that annoyed me during previous visits: the spitting, the crowds, car exhaust, yelling and eating of strange body organs. Near the frontier these concerns reached a fever pitch, and I wondered why I'd decided to trek halfway across the world to come here. Then I entered China, and immediately fell through a manhole cover, verifying my suspicions.
Turns out I was wrong. None of my Chinese "pet peeves" are noticeable here in the university district. In a month, I haven't seen anyone spit, there are few cars on campus, and the caps to on-campus manholes seem to be thoroughly in place.
While life here can hardly be considered calm, there's not the awe-inspiring hordes that can be found at many Chinese institutions such as a railway station, open-air market or McDonald's. People frequently queue, and in most of the campus loudspeakers don't blast continuous streams of pop music on nature-lovers.
In gaining phlegm-free streets, I've lost little. There are still the things I love about China, many of which I've already detailed on this blog: the people, the bikes, the food and the service.
Now if I wanted to seek out these Chinese characteristics (In Chinese: 特点. I can now count this blog entry as studying for tomorrow's listening exam.) I dislike, I merely need to bike ride 15 minutes south, west or east of the campus (it's hard to go north), to return to the China I once knew. But in my day-to-day life I see surprisingly little of it.
Perhaps life here at Tsinghua is a preview of what things will be like in 25, 30 years. If that's the case, I suspect I'll be very comfortable in the China of 2037.
