Thursday, April 12, 2007
What a Lush
Listen More, Speak More, Next Test is 不错
Tuesday, April 10, 2007
Kitsch Kills
BEIJING -- One thing industrialization has brought to China is a standardization of tourist crap.The same assemblage of fat Buddha statues, cheap metal coins and chops are for sale at attractions from the Mongolian border to Vietnam.
That predictability meant I wasn't surprised that the tiny alley market off Wangfujing Street hadn't changed in the three years since my last visit. The only noticeable new product was a pair of shiny stones, which somehow boomeranged and whistled when thrown in the air.
I came with a couple friends, capping off a rare day of sightseeing in Central Beijing. I have a certain affinity for Chinese kitsch, but having already purchased a good chunk of this stuff in 2004 I only observed this time. It was the first time for everyone else, and they slowly examined the items on display.
"Are you going to buy a Little Red Book?" I asked one of them, idly making conversation.
"No, I don't think so," he said, with just a hint of disgust.
The conversation quickly moved from there, but I became concerned at my own suggestion. Was it appropriate to encourage people to buy copies of something associated with the Cultural Revolution?
My own copy of the Little Red Book is sitting in my closet in Albany, next to a plastic drum and a crumbled entrance ticket to the Xi'an terracotta warriors. It came from Hong Kong's Temple Street Night Market, a series of clothing stalls, porn booths, fortune tellers and tiny seafood shops that comes together after sunset in the middle of Kowloon. I found my copy at a small antique place, underneath a pile of new English, German and Cantonese translations.
The newer copies use cheap plastic, but the older ones use a higher-quality leather. The book was worn, with many passages inside underlined and Chinese notes in the margin. I talked down the price, pointing out these deficiencies to the shop owner. The book cost about $5.
The big draw is a supposed collection of quotes from Mao Zedong. In reality many of these quotes were heavily edited before appearing in the text, but these edited entries were used as a gospel in a religion that condemned hundreds of thousands of people to death. The words themselves are certainly not responsible -- just as in the Bible, many of the quotes are vague enough to be bent in any particular direction -- but the Book represents an awful era. (What exactly does "every Communist working in the mass movements should be a friend of the masses and not a boss over them, an indefatigable teacher and not a bureaucratic politician," from Chapter 28 mean?)
And I think the book is less a Pop Artifact than some of the other artifacts from this era sold in the country. The propaganda posters represent a separate and important style, and I have fewer problems with their presence in American college dorm rooms than with that book in my closet.
I know enough Chinese history that the words "Cultural Revolution" bring to mind images of suffering, torture and death, but it can be hard to rectify this with the excitement of a Beijing market, where vendors encourage you to take a piece of this era home. I can only hope next time I have the smarts to say, "no thanks."
Sunday, April 08, 2007
Ding-Ding-Ding Goes My Femmy Bell
Saturday, April 07, 2007
The Day the Music Died
BEIJING - At the back of the Dongyue Temple in Beijing's Chaoyong District, there is a lovely courtyard. I wish I could give period dates or accurate descriptions of its features, but alas I never got around to studying imperial architecture in college.
Nevertheless I can say this is the Chinese courtyard as imagined by young Sinologists all over the world, with shiny blue curved roof tiles and large red lanterns hung every meter on the outside of the crimson-colored hallways.
The Dongyue Temple admission ticket includes entry to this courtyard, which is located behind the main Daoist statues and relics of the temple. My ticket - normally 30 RMB, but just 5 RMB with a student card - says this is the "Beijing Folk Museum," and is the only place in Beijing where large folk performances can be held.
Behind the final statue hall, roughly in the middle of the courtyard, is a large, tacky stage that is used for performances. It's brand-new, and designed in the Chinese "shiny red thing" category. All over China these tacky balloons and pixelated background montages are ruining historical sites and downtown shopping malls alike. The Dongyue Temple was no exception.
But despite the intrusion of the tacky, I still had a wonderful experience in the courtyard during my visit last summer. I visited the temple on a hot, sunny afternoon by myself, wanting to kill a couple hours before meeting an American friend in a language program. As I entered the courtyard, I heard music coming from a back corner. Three young musicians were playing Chinese instruments. One was the erhu, the other two I didn't recognize.
I went upstairs and stood next to where they were playing. The music was lovely, the perfect antidote to the broiling hot weather. I sat down and listened for over half an hour, nearly falling asleep to the sounds.
Yesterday I returned to the temple with a couple friends, and went back to that courtyard. There were no sounds, and no musicians in sight. A few workers played cards, uninterested in the few people at the temple. I again climbed the stairs to the second floor, and walked in the room where I heard people playing. There I saw a couple instruments, and three young Chinese, dressed in traditional but ill-fitting costumes.
I asked one with long curly black hair (recent perm?) when the music was going to start.
"Today's there's no music," she said.
I asked her if there was ever music. She said on Chinese New Year sometimes there were performers, other times no. I protested that I had heard music there nine months ago. She seemed confused, and called over a colleague. Yes, he said, there used to be musical performances, but now no longer. The music had died.
Thursday, April 05, 2007
Cold Feet
Wednesday, April 04, 2007
Birds of a Feather, Grill Together
Monday, April 02, 2007
Tree in a Box

BEIJING - This campus operates on a peculiar rhythm. Things happen in ways that seem illogical, but somehow they always seem to get done. At times my life is a constant kabuki performance, with no one around to explain the meaning behind the elaborate rituals.
Take the mystery of the scaffold tree. Three weeks ago, a dozen or so laborers appeared in the courtyard between my dormitory and its immediate neighbor. They wore matching yellow hats and dirty jeans. Probably migrants, these men spent two long days erecting a structure around a tree in the middle of the courtyard. A frame of thick metal poles boxed in the tree, whose thin upper branches looked pithy in comparsion.
After finishing, the workers wrapped large pieces of translucent plastic around the outside of the lattice work and headed home. Whatever they had come to do was now finished.
In my bike rides and walks around campus, I came across a few other trees covered in the same manner. The dressed trees were all middle-aged, neither new saplings planted to stave off erosion nor the thick trunks that date from the Qing Dyansty. They all appeared healthy, although it's hard to tell the health of a plant in winter on the other side of a plastic sheet.
I can't figure out why the university spent money on constructing these tree fences. At first I thought they were created as a precursor to removal, but no trees have fallen. It occured to me that these might be some type of protection against Beijing's spring sand storms. But today the city had its fiercest winds yet, and I saw the group of workers reappear. They weren't at my tree, but one a couple dorms to the north. They wore the same yellow hats and old clothes. This time they came not to build, but dismantle. So far my tree is untouched, but I'm sure they will come for it soon.
When they do, I hope they'll be in a mood to answer a couple questions. Neither the building staff nor my classmates seem to have any idea about these plastic towers. Hopefully with a little conversation I can tap into this campus' strange rhythm.
Sunday, April 01, 2007
A Pleasant State of Affairs
BEIJING - I don't actually live in China.
I live in Wudaokou, a small area on the northwest side of Beijing. Although there are no embassies here, I'm pretty sure that crimes committed here aren't prosecuted in a normal Chinese court. If Wudaokou declared independence and became a Monaco-esque city-state, I wouldn't be surprised. Life here, at least in and around the Tsinghua campus, is different.
As I chugged closer to the Chinese border on the Trans-Siberian Express, I remembered the things that annoyed me during previous visits: the spitting, the crowds, car exhaust, yelling and eating of strange body organs. Near the frontier these concerns reached a fever pitch, and I wondered why I'd decided to trek halfway across the world to come here. Then I entered China, and immediately fell through a manhole cover, verifying my suspicions.
Turns out I was wrong. None of my Chinese "pet peeves" are noticeable here in the university district. In a month, I haven't seen anyone spit, there are few cars on campus, and the caps to on-campus manholes seem to be thoroughly in place.
While life here can hardly be considered calm, there's not the awe-inspiring hordes that can be found at many Chinese institutions such as a railway station, open-air market or McDonald's. People frequently queue, and in most of the campus loudspeakers don't blast continuous streams of pop music on nature-lovers.
In gaining phlegm-free streets, I've lost little. There are still the things I love about China, many of which I've already detailed on this blog: the people, the bikes, the food and the service.
Now if I wanted to seek out these Chinese characteristics (In Chinese: 特点. I can now count this blog entry as studying for tomorrow's listening exam.) I dislike, I merely need to bike ride 15 minutes south, west or east of the campus (it's hard to go north), to return to the China I once knew. But in my day-to-day life I see surprisingly little of it.
Perhaps life here at Tsinghua is a preview of what things will be like in 25, 30 years. If that's the case, I suspect I'll be very comfortable in the China of 2037.
Saturday, March 31, 2007
Colorful Instructors
Thursday, March 29, 2007
This is a Library. You Can't Borrow Our Books.
"You can understand Chinese quite well," she said, as a salutation. I looked at my cell phone. My various library arguments took over an hour to resolve, during which I spoke only Chinese. I didn't realize the time passing, Chinese seemed less a skill to practice than a necessary tool in my battle to access literature. I lost that battle, but I didn't walk away empty-handed.
